And in Conclusion: Writing Tips for the End Sections of Sentences
In two recent blogs, I offered tips on the best uses of the beginning and middle sections of sentences. This blog will conclude the series with some pointers on how best to use the end sections of your sentences. To write effectively, it’s not enough just to be grammatical: it’s important to recognize how the three main components function in a sentence, and the content best suited to each of them.
By the end section, I mean the content that follows the main subject and verb. In many respects, it’s the section where you have the most flexibility, because the main business of the sentence has already taken place. The reader has gotten all the essentials of its syntax and can usually be more patient to read complex content.
The most common kind of complex content is lists or series: these typically make sentences harder to read if they appear in the beginning or middle. Consider this example, with a series at the beginning: (1) “In Fiji, Kiribati, the Marshall Islands, Micronesia, Tonga, and Tuvalu, we are supporting climate resilience.” The series at the start causes a big delay before getting to the real meaning of the sentence. And it would be even harder to read if this list appeared in mid-sentence: (2) “We are working in Fiji, Kiribati, the Marshall Islands, Micronesia, Tonga, and Tuvalu to support climate resilience.” Here it’s difficult to get the full picture of the work being done because of a long detour into where it’s being done.
In fact, if the list of countries has to be stated in full, it will only be easy to read at the end. Compare this revision: (3) “Across the Pacific, we are supporting climate resilience in six countries: Fiji, Kiribati, the Marshall Islands, Micronesia, Tonga, and Tuvalu.”
This last version also illustrates some points I discussed about beginning and middle sections. Although the list moves to the end, we still have some context-setting information at the beginning: “across the Pacific.” However, this geographic detail doesn’t have any internal complexity and fits the reader’s expectation that the sentence will move on to the main subject after the first comma. Similarly, the middle section doesn’t interrupt the flow of main subject, verb, and object with the list of countries. This fixes how the long series in version 2 made “climate resilience” seem less connected and reduced its impact in the sentence.
While moving the series to the end, version 3 also gives the reader a hint beforehand that it’s going to be a fairly long list: “in six countries.” This kind of guidepost can be helpful any time a series exceeds three or four items. For some readers, the number of countries may be more significant than their names; this version offers an alternative to reading through the series.
Becoming more disciplined about series—by recognizing that they almost always work best at the end—will also help you limit sentences that have multiple subjects or verbs, which again are always somewhat harder to read. For example, if I’m writing a sentence about multiple speakers at an event, I could group them in simple subject (such as “Three experts”) and move their names and titles to the last section of the sentence.
A further point here is that sentences generally lose clarity if there’s more than one series: it’s harder to read a sentence, for example, that lists both a series of sectors and a series of countries. I would group one of these categories with a collective term (e.g., “key sectors” or “Pacific Island countries”) and spell out only the other series. I would then use a different sentence to list items in the other series.
Of course, many of the sentences we write don’t just have beginning, middle, and end sections as I’ve discussed them. They often continue with additional clauses, either subordinated (most commonly with a comma + “which”) or introduced after a semicolon.
But it’s not accidental that I haven’t looked yet at sentences with that kind of length and complexity. As we move to more and more digital reading—often on smaller screens, and with shorter attention spans—I’m increasingly convinced that we need to resist tacking sentences together in that way. While longer, more complex sentences can be perfectly grammatical, they are inherently harder to read and usually make points of emphasis less prominent. A future blog will look at some of the ways we can break up the longest and most complex types of sentences to increase their impact.